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CHAPTER X UP CHAPTER XII CHAPTER XI Anne s Impressions of Sunday-School "Well, how do you like them?" said Marilla. Anne was standing in the gable room, looking solemnly at three new dresses spread out on the bed. One was of snuffy colored gingham which Marilla had been tempted to buy from a peddler the preceding summer because it looked so serviceable; one was of black-and-white checkered sateen which she had picked up at a bargain counter in the winter; and one was a stiff print of an ugly blue shade which she had purchased that week at a Carmody store. She had made them up herself, and they were all made alike--plain skirts fulled tightly to plain waists, with sleeves as plain as waist and skirt and tight as sleeves could be. "I ll imagine that I like them," said Anne soberly. "I don t want you to imagine it," said Marilla, offended. "Oh, I can see you don t like the dresses! What is the matter with them? Aren t they neat and clean and new?" "Yes." "Then why don t you like them?" "They re--they re not--pretty," said Anne reluctantly. "Pretty!" Marilla sniffed. "I didn t trouble my head about getting pretty dresses for you. I don t believe in pampering vanity, Anne, I ll tell you that right off. Those dresses are good, sensible, serviceable dresses, without any frills or furbelows about them, and they re all you ll get this summer. The brown gingham and the blue print will do you for school when you begin to go. The sateen is for church and Sunday school. I ll expect you to keep them neat and clean and not to tear them. I should think you d be grateful to get most anything after those skimpy wincey things you ve been wearing." "Oh, I AM grateful," protested Anne. "But I d be ever so much gratefuller if--if you d made just one of them with puffed sleeves. Puffed sleeves are so fashionable now. It would give me such a thrill, Marilla, just to wear a dress with puffed sleeves." "Well, you ll have to do without your thrill. I hadn t any material to waste on puffed sleeves. I think they are ridiculous-looking things anyhow. I prefer the plain, sensible ones." "But I d rather look ridiculous when everybody else does than plain and sensible all by myself," persisted Anne mournfully. "Trust you for that! Well, hang those dresses carefully up in your closet, and then sit down and learn the Sunday school lesson. I got a quarterly from Mr. Bell for you and you ll go to Sunday school tomorrow," said Marilla, disappearing downstairs in high dudgeon. Anne clasped her hands and looked at the dresses. "I did hope there would be a white one with puffed sleeves," she whispered disconsolately. "I prayed for one, but I didn t much expect it on that account. I didn t suppose God would have time to bother about a little orphan girl s dress. I knew I d just have to depend on Marilla for it. Well, fortunately I can imagine that one of them is of snow-white muslin with lovely lace frills and three-puffed sleeves." The next morning warnings of a sick headache prevented Marilla from going to Sunday-school with Anne. "You ll have to go down and call for Mrs. Lynde, Anne." she said. "She ll see that you get into the right class. Now, mind you behave yourself properly. Stay to preaching afterwards and ask Mrs. Lynde to show you our pew. Here s a cent for collection. Don t stare at people and don t fidget. I shall expect you to tell me the text when you come home." Anne started off irreproachable, arrayed in the stiff black- and-white sateen, which, while decent as regards length and certainly not open to the charge of skimpiness, contrived to emphasize every corner and angle of her thin figure. Her hat was a little, flat, glossy, new sailor, the extreme plainness of which had likewise much disappointed Anne, who had permitted herself secret visions of ribbon and flowers. The latter, however, were supplied before Anne reached the main road, for being confronted halfway down the lane with a golden frenzy of wind-stirred buttercups and a glory of wild roses, Anne promptly and liberally garlanded her hat with a heavy wreath of them. Whatever other people might have thought of the result it satisfied Anne, and she tripped gaily down the road, holding her ruddy head with its decoration of pink and yellow very proudly. When she had reached Mrs. Lynde s house she found that lady gone. Nothing daunted, Anne proceeded onward to the church alone. In the porch she found a crowd of little girls, all more or less gaily attired in whites and blues and pinks, and all staring with curious eyes at this stranger in their midst, with her extraordinary head adornment. Avonlea little girls had already heard queer stories about Anne. Mrs. Lynde said she had an awful temper; Jerry Buote, the hired boy at Green Gables, said she talked all the time to herself or to the trees and flowers like a crazy girl. They looked at her and whispered to each other behind their quarterlies. Nobody made any friendly advances, then or later on when the opening exercises were over and Anne found herself in Miss Rogerson s class. Miss Rogerson was a middle-aged lady who had taught a Sunday-school class for twenty years. Her method of teaching was to ask the printed questions from the quarterly and look sternly over its edge at the particular little girl she thought ought to answer the question. She looked very often at Anne, and Anne, thanks to Marilla s drilling, answered promptly; but it may be questioned if she understood very much about either question or answer. She did not think she liked Miss Rogerson, and she felt very miserable; every other little girl in the class had puffed sleeves. Anne felt that life was really not worth living without puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn t like it a bit. It was horrid." "Anne Shirley!" said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny s leaves, and waved her hand to a blossoming fuchsia. "They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat in the corner of a pew by the window while the opening exercises went on. Mr. Bell made an awfully long prayer. I would have been dreadfully tired before he got through if I hadn t been sitting by that window. But it looked right out on the Lake of Shining Waters, so I just gazed at that and imagined all sorts of splendid things." "You shouldn t have done anything of the sort. You should have listened to Mr. Bell." "But he wasn t talking to me," protested Anne. "He was talking to God and he didn t seem to be very much inter- ested in it, either. I think he thought God was too far off though. There was a long row of white birches hanging over the lake and the sunshine fell down through them, way, way down, deep into the water. Oh, Marilla, it was like a beautiful dream! It gave me a thrill and I just said, `Thank you for it, God, two or three times." "Not out loud, I hope," said Marilla anxiously. "Oh, no, just under my breath. Well, Mr. Bell did get through at last and they told me to go into the classroom with Miss Rogerson s class. There were nine other girls in it. They all had puffed sleeves. I tried to imagine mine were puffed, too, but I couldn t. Why couldn t I? It was as easy as could be to imagine they were puffed when I was alone in the east gable, but it was awfully hard there among the others who had really truly puffs." "You shouldn t have been thinking about your sleeves in Sunday school. You should have been attending to the lesson. I hope you knew it." "Oh, yes; and I answered a lot of questions. Miss Rogerson asked ever so many. I don t think it was fair for her to do all the asking. There were lots I wanted to ask her, but I didn t like to because I didn t think she was a kindred spirit. Then all the other little girls recited a paraphrase. She asked me if I knew any. I told her I didn t, but I could recite, `The Dog at His Master s Grave if she liked. That s in the Third Royal Reader. It isn t a really truly religious piece of poetry, but it s so sad and melancholy that it might as well be. She said it wouldn t do and she told me to learn the nineteenth paraphrase for next Sunday. I read it over in church afterwards and it s splendid. There are two lines in particular that just thrill me. "`Quick as the slaughtered squadrons fell In Midian s evil day. I don t know what `squadrons means nor `Midian, either, but it sounds SO tragical. I can hardly wait until next Sunday to recite it. I ll practice it all the week. After Sunday school I asked Miss Rogerson--because Mrs. Lynde was too far away--to show me your pew. I sat just as still as I could and the text was Revelations, third chapter, second and third verses. It was a very long text. If I was a minister I d pick the short, snappy ones. The sermon was awfully long, too. I suppose the minister had to match it to the text. I didn t think he was a bit interesting. The trouble with him seems to be that he hasn t enough imagination. I didn t listen to him very much. I just let my thoughts run and I thought of the most surprising things." Marilla felt helplessly that all this should be sternly reproved, but she was hampered by the undeniable fact that some of the things Anne had said, especially about the minister s sermons and Mr. Bell s prayers, were what she herself had really thought deep down in her heart for years, but had never given expression to. It almost seemed to her that those secret, unuttered, critical thoughts had suddenly taken visible and accusing shape and form in the person of this outspoken morsel of neglected humanity. CHAPTER X UP CHAPTER XII 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 27 34 (Tue)
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ストーリーの翻訳＞1.Orion’s Belt STRONGHOLD 4-D電話1 電話2（端末操作後） 記憶再生（Dr. Samuel Billingsley） 電話3 研究所 施設内 1.Orion’s Belt STRONGHOLD 4-D 電話1 HELLER Alright, Father--where do I find Rooks? それで、どこでルークスを見つけられる？ GUERRA His location would be top-secret. But, back in the day, we used to break into //BLACKNET terminal and steal that kind of information. The terminals are those satellite trucks you may have seen around. 彼の居場所はトップシークレットだ。しかし以前ブラックネット端末にハッキングした時に、そういった情報が手に入った。端末はそこら辺にある衛星通信車に載っている。 HELLER Didn t know you were such a rebel. What exactly did you do before you were a priest? そんな事をしていたとは思ってもいなかった。神父になる前は一体何をしていたんだ？ GUERRA Let s just say I ve had a lot of tattoos removed. 消したタトゥーは山ほどあったとだけは言っておこう。 HELLER Enough said. それで十分だ。 電話2（端末操作後） HELLER Alright, got a name. Doctor Samuel Billingsley. ヘラー：よし、名前が分かった。Dr. サミュエル・ビリングスレイだ。 GUERRA Si, he s a head researcher for Gentek.You re getting closer to Rooks, for sure. グエラ：そいつはジェンテックの研究員のトップだ。確実にルークスに近づいているぞ。 HELLER Hmm, lemme try something. ヘラー：ふーむ、どうにかやってみるか。 HELLER Alright, Sammy s about to get an unwelcome visitor. まさにサミュエル君の招かざる客だな。 記憶再生（Dr. Samuel Billingsley） DR.BILLINGSLEY Sabrina! I wasn t expecting you today. Dr. サミュエル・ビリングスレイ：サブリナ！今日はお前とは会う予定はなかったぞ。 GALLOWAY No time for chit-chat. I m afraid. Your status report was due 24 hours ago. ギャロウェイ：おしゃべりしてる時間なんてないの。状況報告の期限は24時間も前なのよ。 DR.BILLINGSLEY Didn t you get my memo? I m waiting to see what the effects are on the Suarez family. Both parents are terminal, but the children seem to be exhibiting some fascinating viral outcomes. Dr. サミュエル・ビリングスレイ：メモを見なかったのか？Suarez家族の感染経過を診ているんだ。両親はもう末期だ、だが子供はとても面白い経過を見せた。 GALLOWAY Oh right. The kids with the stage-four liver cancer? 分かったわ。子供は感染のステージ4の生存者なのね？ DR.BILLINGSLEY Yes. What s your point? Dr. サミュエル・ビリングスレイ：そうだが何か？ 電話3 HELLER Billingsley didn t know anything about Rooks, but I heard something about a Gentek lab experimenting on people. ヘラー：ビリングスレイはルークスのことに関しては何も知らなかった、だがジェンテックのラボでの人々への人体実験に関する事が分かった。 GUERRA A lot of the "catch and test" missions done by Gentek are monitored personally by Rooks. I bet you get to that facility you ll find out where Rooks is stationed. グエラ：たくさんの市民を捕獲してテストする作戦がルークスの監視の下で行われたんだ。お前ならそのラボに辿り着いてルークスの居場所を見つけ出せるはずだぞ、賭けてもいい。 HELLER This is starting to feel like a wild fucking goose chase. ヘラー：これがあてのない探索の始まりみたいに感じるな。 研究所 HELLER Father, I m at the lab. ヘラー：神父、ラボに着いたぞ。 GUERRA Alright, listen, James. All these Blackwatch and Gentek places use biometric security retinal scans, blood tests, things like that. Getting inside won t be easy. グエラ：分かった、聞いてくれジェームス。ブラックウォッチとジェンテックの全ての施設には生体認証のセキュリティーが使われている。網膜スキャンや血液テストのようなものだ。中に入るには簡単ではないぞ。 HELLER Relax, Father. It ll be easier than you think. ヘラー：落ち着けよ神父。あんたが考えてるよりは簡単だと思うぜ。 HELLER Borrow your keys? 鍵を借してもらうぞ。 施設内 GENTEK LOUDSPEAKER Access Granted Head Scientist, Doctor Genovese. アクセス認証：科学室長、ジェノベーゼ博士。 HELLER Lookie here. We got ourselves a "VIP". Gonna need access to that room if I m gonna pick his brains about Rooks. 見てみろよ。俺たちはどうやら"VIP"みたいだ。あいつからルークスについて聞き出すにはまず部屋に入れないとな。 HELLER Can t even see out of this piece of shit mask. こんなマスクかぶってりゃ何も見えねえ。 SOLDIER Stratus Two Four, this is Stratus. Prepare for another sweep, over. ストレイタス25、こちらストレイタス、別の掃討部隊をよこしてくれ。 SCIENTIST Stratus, this is Doctor Genovese. Can you do my team a favor and please bring a few of the agitators back alive? ストレイタス、こちらジェノベーゼだ。私のチームのためにアジテーターを何人か生かしておいてくれないか？ SOLDIER Copy that, Doctor. Shouldn t be a problem. Standard spread? 了解した、博士。問題ない。いつもので？ SCIENTIST Yes, please. As wide a range as possible through ages and ethnicities. Oh, but no fatties this time. The containment tanks are too narrow, so we just had to gas the last ones and throw them out. あぁ、頼む。なるべく多民族かつ年齢層もバラバラにしてくれ。だが太ったのは今回はいい。格納場所が狭くてね、残ってるのをガスで殺して捨てておかないと。 SOLDIER Roger that, Doc. 了解だ、博士。 HELLER Dammit. He didn t know shit. くそがっ！こいつも知らないだと。 GUERRA Try using his credentials on a nearby computer. There s probably a database that shows Rooks s current location. 彼の証明書で近くのコンピュータを使ってみなさい。ルークスの最近の所在を示すデータベースがあるはずだ。 HELLER I m at the computer. What do I press? コンピュータ前だ。どのボタンを押せばいい？ GUERRA First you need to -- まずは―― HELLER I m pressing the red button. Shit. Now the screen s all fucked up. Shit s broken. 赤いボタンを押した。くそっ。画面が真っ黒になった、壊れてるぞ！ GUERRA Okay, press the "alternate" key. "A" "L" "T", "alternate"-- よし、「オルタネート」キーを押すんだ。A、L、T。オルタネートだ―― HELLER Alt? There s no fucking alt. I got a fucking squiggly line key. I got a fucking key with a triangle on it. What the fuck kind of keyboard is this anyway? オルト？オルトなんて無いぞ。のたくった線みたいなキーがあるだけだ。三角形が書いてある変なキーとかな！これは一体何なんだよ！ GUERRA James, calm down. There should be a button with a blue square on it. ジェームズ、落ち着くんだ。四角くて青いキーがあるはずだ。 HELLER Okay, that s more like it. Bringing up the personnel database. Alright, got the location. よし、これみたいだ。個人用データベースが起動した。これで場所がわかる。 GUERRA Don t forget to log off. ログオフするのを忘れるなよ。 HELLER Yeah, yeah. わかってるさ。 SOLDIER Terminal four is currently logged on with no personnel present. Please return to your station and commence proper log off procedure. 4番端末が現在存在しない者によってログオンされました。自分の部署へ戻り適切なログオフ手順を行ってください。 HELLER Fuck off. I hate computers. 何だよ。だからコンピュータは嫌いだ。
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TGM in the Bottle (ティージーエム・イン・ザ・ボトル) 基本情報 アーティスト Sampling Masters MEGA 配信日 2014/03/06 ジャンル 音楽ゲーム(旧ゲーム) 原曲 TGM in the Bottle(テクニクティクス／テトリス・ザ・グランドマスター) 解禁方法 ミュージックパネル9枚で解禁→2016/03/10以降は解禁不要 BPM 150 難易度 Ｓ５／Ｎ９／Ｈ１１（旧：５／７／９） 特徴 難コース、高速NORMAL以上はラス殺しHARDはスライド注意 アップデートに伴う特記事項 2015/10/15NORMAL以上のターゲット配置を三連符に対応した配置へ修正。 これに伴い全譜面のコース形状が変更、ターゲットの配置も微調整される。 2018/03/2915段階の難易度表記に対応。 特徴 楽曲のリズムは素直な4分の4拍子、テンポは中速、譜面は素直。 しかしコースの形状と演出が凶悪で、パズルゲーム「テトリス」を意識したと思われる画面全体が90度単位で瞬時に回転する演出が非常に厄介だ。 中盤ではコースのそばにブロックが落下してくる。ここには前述の「回転」に加えて「画面全体が揺れる」演出が入るため、慣れるまでは演出に意識を取られて譜面への対応が遅れがち。 譜面に関してはNORMAL以上で16分間隔のボタン連打がある。多くて5連打程度だが、場所をきちんと覚え、事前に構えておきたい。 このボタン連打の近辺では、前述の「回転」演出がほぼ毎回入ってくるので注意。 ラストに要注意 曲のラストで挿入されるファンファーレ(原作「TGM」におけるゲームクリア時の音楽)のテンポは、バックで流れている楽曲本来のテンポとは速さが違っている。配信直後の譜面は、ラストのターゲット配置が「楽曲本来のテンポを基準」としていた。 これが2015/10/15のアップデートで変更。ラストのターゲット配置は「ファンファーレ自体のテンポを基準」に置き直され、より直感的にGREATを狙いやすくなった。 【アップデート年表へ戻る】 【トップページへ戻る】
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Chocolate Thieves 必要条件 Base Level 無し アイテム ( Holy Water 10個 または Milk 10個) Carrot １個, Apple １個, 1carat diamond １個 (Milk, Holy Water, Witch Starsand , Apple Juice , Payon Solution ) 数個 報酬 アイテム White Chocolate ２個, Hand-made Chocolate ２個, Handmade White Chocolate ２個, Chocolate ２個 の内何れか 1. Alberta× 北西の Kafra NPC の上にいる Shocola Vasinio と２度話すと、Prontera× にいる Arles Orleans へ Chocolate の包みを届けて欲しいと頼まれる 2. Prontera tavern ( Prontera (45, 67)) にいる Arles Orleans に Chocolate の包みを渡す 3. Arles ともう１度話して Al de Baran× 行きを申し出る 4. Al de Baran (155, 88) へ行って Cherryberry と話すと、Payon で蒔くように、と Chocolate Fairy Seed を手渡される Note the item received will be a Cacao Note 渡されたアイテムは育つと Cacao になる ･･･？ 5. Payon Field 01 (329, 268) の辺りをうろつき回ると説明の自動会話が始まる。目的地はミニマップにマークで表示される 6. マークのついた場所へ行って Thicket (吹き出し？) をクリックすると種を蒔く Thicket のある座標 (216, 118) (192, 212) 7. 種への水遣りの為に、 Holy Water か Milk を10個 持って行って Thicket をクリックする 8. 芽が出たら更に下記のアイテムのどれかを適当に与える Holy Water Milk Apple Juice Witch Starsand Payon Solution このステップは何度か繰り返す必要があるかも知れない 9. 育ち切ると Chocolate Fairy が現れ、 Apple か Carrot を１個持って来て、と頼まれる Apple や Carrot は Izlude× の Fruit gardener ( Izlude (94, 98)) から買える 10. 渡してやると今度は Fairy から 1carat diamond が欲しいと言われる 1carat diamond は Morroc ruins ( Morroc Ruins (52, 85)) にいる Jeweler から買える 11. Chocolate fairy からお礼に White Chocolate Hand-made Chocolate Handmade White Chocolate Chocolate の内どれか１種類を２個もらえる 12. Fairy と再び話すと Chocolate 作りの秘伝を教えてくれる 13. 以降 Cherryberry の所へ行くと Chocolate Fairy Seed を25,000zで買えるようになる Holy Egg Making 必要条件 Base Level 無し アイテム Egg １個, Green Herb １個, Yellow Herb １個, White Herb １個, Holy Water １個 報酬 アイテム Holy Egg １個 このクエスト若しくはインスタンスは繰り返せる Prontera Church (230, 312) にいる Sister Nerien に下記の材料を渡すと Holy Egg を１個作ってもらえる Egg １個 Green Herb １個 Yellow Herb １個 White Herb １個 Holy Water １個 また、彼女は1,000zで Egg を販売している Holy Egg を使うと Resurrection× レベル２の効果がある Categories Quest Window Quests | Repeatable Quests | Temporary Event Quests
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mitsunari_bot / 石田三成 Web http //tbot.ps.land.to/ 自己紹介 無双の石田三成の非公式botです。作った人は@pants00 最近のつぶやき 新着記事は見つかりませんでした。
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BUTTERFLYをお気に入りに追加 BUTTERFLYのリンク #bf Amazon.co.jp ウィジェット BUTTERFLYの報道 2021年世界ユース卓球選手権大会 U19女子シングルスの結果｜卓球レポート - 卓球レポート 2022年全日本卓球 ジュニア男子 スーパーシード｜卓球レポート - 卓球レポート NOKKOと中村あゆみ 同期2人の今だから話せる“80年代”「予定はスポーツ新聞で知った」（ENCOUNT） - Yahoo!ニュース - Yahoo!ニュース 卓球 世界ランキング ユース 2021年 第49週｜卓球レポート - 卓球レポート 卓球 WTTカップ・ファイナル 樊振東と孫穎莎が優勝｜卓球レポート - 卓球レポート 各地の大会結果 2021年12月8日掲載｜卓球レポート - 卓球レポート 「流石のスタイル」倖田來未、美ボディ際立つ大胆な肌見せ衣装SHOTに反響「どんどん美しくなっていく」（E-TALENTBANK） - Yahoo!ニュース - Yahoo!ニュース G-FREAK、HAWAIIAN6、MONOEYES、OAUが最大限の音を届けた「山人音楽祭」2日目（音楽ナタリー） - Yahoo!ニュース - Yahoo!ニュース 『ハリー・ポッター』30歳になったルーナ役女優の現在（シネマトゥデイ） - Yahoo!ニュース - Yahoo!ニュース 世界最高峰のラッパー、ケンドリック・ラマー初の本格評伝『バタフライ・エフェクト』が遂に発売！ - PR TIMES 【REPORT】ORβIT、ファンからのサプライズに感動の涙も…初のオンラインライブ「With」が大盛況（Kstyle） - Yahoo!ニュース - Yahoo!ニュース バタフライは世界卓球2021ヒューストンにボールを提供いたします - PR TIMES ファンビジネスを独自ブランドで展開できる『Butterfly（バタフライ）』をリリース！第１弾として主婦と生活社が運営する「JUNON公式サービス（JUNON TV）」に採用。 - PR TIMES 【ライヴレポート】『DIAMOND FES 2021 AUTUMN ANIME SONGS』2021年11月9日 at KT Zepp Yokohama（OKMusic） - Yahoo!ニュース - Yahoo!ニュース 「うちの嫁を馬鹿にした奴、許さないぞ」 永山瑛太、妻・木村カエラを侮辱する記事に怒りあらわ（ねとらぼ） - Yahoo!ニュース - Yahoo!ニュース バタフライがアドバイザリースタッフミーティングを初開催｜卓球レポート - 卓球レポート TopJoy Butterflyの発売を発表 DES カラーディスプレイを備えた次世代の読書体験を実現する電子書籍リーダー - PR TIMES 「赤頬思春期（BOL4）」の新譜「Butterfly Effect」が人気 新たなコンセプトでリスナーを魅了（WoW!Korea） - Yahoo!ニュース - Yahoo!ニュース 赤頬思春期、デジタルシングル「Butterfly Effect」予告映像を公開…夢幻的＆クールな雰囲気（Kstyle） - Yahoo!ニュース - Yahoo!ニュース 超人気折りたたみノコギリ「バタフライソー」が進化！切り心地が軽くなったぞ！ | ＆GP - ＆GP 新方式のカラー電子ペーパータブレット「TopJoy Butterfly」がKickstarterに登場 - ASCII.jp 『わかっていても』OSTがバイラルチャート上位を席巻 ストーリーとの相乗効果をもたらす“多彩な感情描写”（リアルサウンド） - Yahoo!ニュース - Yahoo!ニュース ファンタジー喫茶ADV新作『Coffee Talk Episode 2 Hibiscus & Butterfly』Steamストアページ公開 - Game*Spark 人気音楽プロデューサーmaeshima soshi、8ヶ月ぶりのインスト作品「Butterfly」をリリース（E-TALENTBANK） - Yahoo!ニュース - Yahoo!ニュース 氷川きよし、大黒摩季書き下ろし新曲「Glamorous Butterfly」MV公開 - BARKS Netflixドラマ『わかっていても』を彩る音楽 『愛の不時着』『トッケビ』……名ドラマには名OSTあり？（リアルサウンド） - Yahoo!ニュース - Yahoo!ニュース 田口淳之介主演､舞台「One Night Butterfly」が開幕！斉藤秀翼･遊馬晃祐･上仁樹･こんどうようぢ･阿部快征･谷津翼に八神蓮ら出演､ゲネプロ【写真29枚】フォトレポート!! - スマートボーイズ 舞台「One Night Butterfly」【東京】 ★当日引換券 - カンフェティ アバターが次々と死んでいく！？仮想空間 BW と現実が複雑に絡まった本格ミステリー！｜岡崎琢磨『Butterfly World 最後の六日間』 - ほんのひきだし イケシブ現地からライブ配信！ vistlipのギタリストYuh出演の「Butterfly Vision」。ゲストにはChirolynと峻洋が登場。 - PR TIMES キング・ギザード&ザ・リザード・ウィザード『BUTTERFLY 3000』 - rockinon.com King Gizzard & The Lizard Wizard、ニューアルバム『Butterfly 3000』をリリース！ - indienative 『華Doll*』Loulou*di最新アルバムより、「Butterfly Knife」Official Teaser (Song Spoiler Ver.)公開！ - アニメイトタイムズ STuREET(スチュリート)春の新作に染め技法を用いたBUTTERFLY DYEに早くもラインストーンタイプ「BUTTERFLY DYE DROP STONE」が登場 - PR TIMES 舞台「One Night Butterfly」【東京】 - カンフェティ 【解禁】田口淳之介主演舞台「One Night Butterfly」が8月上演決定！共演に斉藤秀翼､遊馬晃祐､上仁樹ら2.5次元系舞台で活躍中の俳優が勢揃い！脚本･亀田真二郎､演出･ほさかよう - スマートボーイズ 鈴木梨紗子がオリジナルのクラシック曲「Butterfly Dream」を世界配信!!! - PR TIMES テナジー19 | テナジー スペシャルサイト｜バタフライ卓球用品 - 卓球レポート シングルマザーのための個人奨学金募集制度 - The Butterfly Fund - の設立のお知らせ - PR TIMES 蓋もストローも要らない エコ紙カップ「バタフライ」｜NIKKEI STYLE - 日本経済新聞 アップルのバタフライキーボードよ、さようなら。 - GIZMODO JAPAN ジャケ・ドローがラブィング・バタフライ(LOVINGBUTTERFLY)に永遠の居場所を授ける新作を発表 - アットプレス（プレスリリース） バタフライ スリースターボールR40＋（1ダース入）｜製品情報｜バタフライ卓球用品 - 卓球レポート バタフライ・ダブルス・チームカップ 加古川大会｜卓球レポート - 卓球レポート ケンドリックラマーの伝記本『バタフライ・エフェクト』の発売日が決定 - HYPEBEAST ディグニクス09C｜ディグニクス スペシャルサイト｜バタフライ卓球用品 - 卓球レポート バタフライ・ダブルス・チームカップ 酒田大会｜卓球レポート - 卓球レポート 男女ツイン・ヴォーカル・バンド Free Aqua Butterfly、3/4に6年ぶりのニュー・ミニ・アルバム『Boo&Coo』リリース決定！収録曲「Re Life」MV公開！ - 激ロック ニュース ダンスポップの名曲「Butterfly」を MADFOX と DJ TORA がアレンジを手掛け5月20日(月)にリリース！ - PR TIMES 世界卓球2019ブダペスト バタフライパーティーにハンガリーのレジェンドが集結！｜卓球レポート - 卓球レポート サイトポリシー｜バタフライ卓球用品 - 卓球レポート 今月の少女（LOONA）、新曲「Butterfly」MVを公開…美しいビジュアル＆華麗なパフォーマンスに注目 - Kstyle ケラーニ、新ミックステープのリリースを発表＆新曲“Butterfly”が公開 - http //nme.com 劇場版「『Fate/stay night [Heaven s Feel]』II.lost butterfly」特集 下屋則子（間桐桜役）×神谷浩史（間桐慎二役）対談 - コミックナタリー 特集・インタビュー - コミックナタリー 『劇場版「Fate/stay night [Heaven s Feel]」 Ⅱ.lost butterfly』レビュー - IGN JAPAN おお振りに影響を受けた青春ADV『Butterfly Soup』日本語版が公開！ガールmeetsガールwithベースボールの名作 - IGN JAPAN ちょっと、それ貸して!!｜卓球レポート - 卓球レポート 劇場版「Fate/stay night [Heaven s Feel]」.lost butterfly新規カット満載の本予告映像初解禁！ - 超! アニメディア ポータブル型全身超音波スキャナを開発するButterfly、シリーズDラウンドで2.5億米ドルを調達 - THE BRIDGE,Inc. / 株式会社THE BRIDGE 劇場版「Fate/stay night [Heaven s Feel]」II.lost butterfly 2019年1月12日(土)全国ロードショー！ - PR TIMES 劇場版「Fate/stay night [Heaven’s Feel]」II.lost butterfly 須藤友徳描き下ろし第二章キービジュアル＆ティザートレーラー映像公開！ - PR TIMES 『METAL SLUG ATTACK』 猛毒を持つ「フェーデルン・メツェライ」が登場！イベント「BUTTERFLY DISASTER」開催！ - PR TIMES 柳宗理が生み出したバタフライスツール誕生から60年を経ても愛されるデザイン——「BUTTERFLY STOOL 60th カタチの原点」（銀座） - fabcross ホワイトボードともノートとも異なる新しい文具『BUTTERFLY BOARD 2』の使い方｜ - @DIME BUTTERFLY STOOL 60th カタチの原点 - デザイン・アートの展覧会 & イベント情報 - japandesign.ne.jp バタフライ・チルドレンに希望、遺伝子療法で皮膚の8割を再生 - MITテクノロジーレビュー ポルノグラフィティ 『BUTTERFLY EFFECT』 次世代への一助となるべく名付けられた11枚目のオリジナル作 - Mikiki ポルノグラフィティ、ニュー・アルバム『BUTTERFLY EFFECT』10月25日発売 - TOWER RECORDS ONLINE - TOWER RECORDS ONLINE 特別会員店｜バタフライ卓球用品 - 卓球レポート ラケット＆ラバーおすすめ組み合わせ｜知る・学ぶ｜バタフライ卓球用品 - 卓球レポート ラバー｜製品情報｜バタフライ卓球用品 - 卓球レポート 製品情報｜バタフライ卓球用品 - 卓球レポート ストーリー｜バタフライ卓球用品 - 卓球レポート お客様サポート｜バタフライ卓球用品 - 卓球レポート au、「HTC J butterfly HTV31」のOSをAndroid 6.0にアップデート - ケータイ Watch 「Swallowtail Butterfly ～あいのうた～」を小林武史氏が再アレンジし Sony Music所属の新人アーティスト“anderlust”がカバー - PR TIMES BUMP OF CHICKEN、新曲「Butterfly」のMVがついに解禁！ - okmusic UP s my-Butterflyが解散 - 音楽ナタリー - ナタリー fox capture plan「BUTTERFLY」インタビュー - 音楽ナタリー 特集・インタビュー - ナタリー 『キリン Butterfly（バタフライ）』 アルコール1％ドリンクが提案するのは、新しい飲み方のスタイル！ - おためし新商品ナビ 木村カエラ、名曲「Butterfly」への思い語る「新しい自分が見えた歌」 - マイナビニュース 「デュオカメラ」や「Zoe」機能が楽しい「HTC J butterfly HTL23」：荻窪圭の携帯カメラでこう遊べ（1/3 ページ） - - ITmedia 「HTC J butterfly HTL23」発売、一括価格は7万円台 auのHTCユーザー向け割引も - - ITmedia 写真で解説する「HTC J butterfly HTL23」（ソフトウェア編）：カメラや新UIを試す（1/2 ページ） - - ITmedia 写真で解説する「HTC J butterfly HTL23」（外観編）：HTL21／HTL22とのスペック比較も - - ITmedia 乃木坂46が新HTC J butterflyの魅力を語る 発表会レポート - 週刊アスキー - 週アスPlus 大人になって帰ってきました――「HTC J butterfly HTL23」で注目すべき4つのポイント：新モデル登場に1年かかった理由は？ - - ITmedia HTC、「Butterfly S」を発表 5インチで3200mAhバッテリー搭載のハイエンド端末 - - ITmedia 簡単に取れてしまった「HTC J butterfly」の充電キャップ、修理は無償？：ふぉーんなハナシ - - ITmedia 「HTC J butterfly HTL21」発売、一括価格は7万円台後半：予約なしでの入手は困難？ - - ITmedia 写真と動画で解説する「HTC J butterfly HTL21」：本当に“ひとめぼれ”する？（1/3 ページ） - - ITmedia L Arc-en-Ciel、4年ぶりアルバム「BUTTERFLY」発売 - ナタリー 末光篤、カエラ提供曲“Butterfly”のセルフ・カヴァーに元ナンバガ3人参加 - TOWER RECORDS ONLINE - TOWER RECORDS ONLINE 木村カエラ「Butterfly」の配信数が紅白出演後20倍以上に - ナタリー BUTTERFLYとは BUTTERFLYの31%は株で出来ています。BUTTERFLYの17%は白インクで出来ています。BUTTERFLYの14%は電波で出来ています。BUTTERFLYの12%は言葉で出来ています。BUTTERFLYの11%はお菓子で出来ています。BUTTERFLYの9%は元気玉で出来ています。BUTTERFLYの3%は微妙さで出来ています。BUTTERFLYの2%は下心で出来ています。BUTTERFLYの1%は大阪のおいしい水で出来ています。 BUTTERFLY＠ウィキペディア BUTTERFLY Amazon.co.jp ウィジェット 掲示板 名前（ＨＮ） カキコミ すべてのコメントを見る ページ先頭へ BUTTERFLY このページについて このページはBUTTERFLYのインターネット上の情報を集めたリンク集のようなものです。ブックマークしておけば、日々更新されるBUTTERFLYに関連する最新情報にアクセスすることができます。 情報収集はプログラムで行っているため、名前が同じであるが異なるカテゴリーの情報が掲載される場合があります。ご了承ください。 リンク先の内容を保証するものではありません。ご自身の責任でクリックしてください。
https://w.atwiki.jp/swtfu2/pages/26.html
DESPERATE MEASURES Rebel Pilot We’re getting ripped apart up here! Order the retreat! 我々はずたずたにやられています！退却を命じてください！ Rahm Kota No! We won’t get another chance to take this target! Keep pressing the attack! 駄目だ！このターゲットを破壊できるチャンスは二度と無い！攻撃を続けるんだ！ Rahm Kota The planetary shield is preventing any kind of ground assault. We can’t hold out much longer. 惑星のシールドがあらゆる地上攻撃を防いでいる。もう長くは持ちこたえられないだろうな。 Proxy And this ship is falling apart. We’ve already lost decks eight through twelve. それにこの船はばらばらになっています。私達は既にデッキ8から12までを失いました。 Starkiller Head to the Rogue Shadow. I’m pretty sure those shields can’t survive a direct hit from a cruiser. ローグ・シャドーに向かってくれ。クルーザーの体当たりで、惑星のシールドは間違いなく破壊できる。 Rahm Kota Abandon ship! Abandon ship! 総員退艦せよ！本艦を放棄する！ Rahm Kota You sure about this? 間違いないのか？ Starkiller It’s the only thing I can think of. You just be ready to clean up after me. 他に方法を思いつかない。あんたは俺の後片付けの準備だけしておけばいい。
https://w.atwiki.jp/tljtrans/pages/204.html
Use door clamp Hack door clamp The EYE s put a clamp on Reza s door. They don t fool around, do they? Lucia Turn on radio That panel controls everything from the water temperature to the audio system. She won t get out on her own. I sure hope she isn t a real receptionist...or I m in serious trouble. Examine door with Sela locked up Watilla brain Watilla power source Examine watilla Remove broken parts Watilla parts Use brain Use power source Lucia s completely busted. Examine broken watilla I ve removed Lucia s power source and brain. Nothing left but mechanical parts now. Examine watilla, broken parts removed. The poor thing s got a brain, but no power. Examine watilla, brain replaced The poor thing s got power, but no brain. Examine watilla, power source replaced Lucia s back on her feet. I wish the same could be said for Wonkers... Examine repaired watilla Hide behind door Maybe I could squeeze in behind here... Hide Use elevator Quickly, get into the elevator. We can t stay here any longer. She s operating a soup kitchen. Examine soup lady close PLACEHOLDER RABBIT WRINKLING NOSE, THEN LEAPS AWAY. Opening shot of rabbit Give spices Those stairs have been blocked off by the cops. Uh-oh. I d better not try that again. Failed hacking attempt MISSING TEXT EXAMINE PIZZA SLICE Examine pizza slice Talk about an old fashioned way of staying warm. My Dad told me about conditions during the Collapse, but I didn t think people still lived like this. How do they keep those flames alive with all this rain? It s probably chemical. MISSING TEXT EXAMINE HOMELESS MAN WITHOUT KNOWING THAT HE WANTS FOOD. Examine without knowing he wants food MISSING TEXT EXAMINE HOMELESS MAN KNOWING HE WANTS FOOD. Examine knowing he wants food MISSING TEXT EXAMINE HOMELESS MAN AFTER FEEDING HIM. Examine after feeding him MISSING TEXT HOMELESS MAN WANTS WARM PIZZA, NOT COLD AND SOGGY. Give cold pizza MISSING TEXT HOMELESS MAN HAS BEEN GIVEN WARM PIZZA Give warm pizza Aaralyn Hey, Zoë! Passing by I ve added Mrs Mullins Mixed Spices to the wine. That should be it, then. Mulled wine. Examine with spices Examine empty bottle of wine Pick up empty bottle of wine It s an empty wine bottle. Empty bottle Fill wine bottle Homeless Man Homeless Girl Hack spyder Examine bathroom door Examine blinds Examine mysterious device Touch mysterious device Use bed Use toilet Examine lab Examine crate Open kitchen door Open store room door Warden Murron Elwyn Talk to Zoë Examine Zoë I represent the Tower. The warden of this prison. He is a true example of why women should be the ones in positions of power. The warden. He is a man who follows the book. To the letter. I have your lunch delivery. Informant Rope Look at snivelling rat bastard Talk to snivelling rat bastard What a despicable creature... All that I have been told about these magicals is true. They are filthy, traitorous, and soulless. Please, no, don t hurt me! Please! Apostle, there s a message for you. Watch it, boy! Kian curses Brynn I can t believe you re still being held up. The supplies should have left the city two days ago, and you with them. They look sturdy. They are built from a strange material that I have not seen before. Examine prison main entrance That tower looks like bad news. I m not going in there. I have not seen that material before. I am told that it s enchanted wood, to keep intruders out...and prisoners in. Few who have passed through the doors to Friar s Keep have ever come out again...except in a coffin. Hello, yes? Pardon me, mistress. Thought you could just ditch me, didn t you? Well, I have a surprise― Hey, psst! Psst! Acid Smoke bomb Wait. That man... He looks very familiar. Why am I thinking of moving stairways? Examine before talking Talk to Crow Use acidic potion on Crow Use smoke bomb on Crow MISSING TEXT APRIL EXAMINES CROW April examines Crow Knock on cell door Hey! Hello! Open up! Use acidic potion Examine jailer Smoke bomb jailer I ll need to get close enough to toss the knock-out potion at him. It worked. He s out cold. Examine smoke bombed Pick up key Prison key Examine door locked It s open. Examine door open It s unlocked. Examine door unlocked Hey, warden, what s happening with lunch? My stomach s killing me. Sandwich Combine Poisoned sandwich Examine soldier The city watch is supposed to run Friar s Keep...but everyone knows the truth. The Azadi are very much in control here. MISSING TEXT KIAN EXAMINES SOLDIER. XXX_Kian examines soldier The City Watch operates this facility, but it s used exclusively for prisoners awaiting transport to Sadir. I m guessing that handle controls the food elevator. It controls the food elevator. Put in food That s the food elevator. Examine closed elevator That s where the food goes. Examine open elevator That sandwich is ready to go. I just need to find out how to move the elevator up. Examine open elevator with food Unlock door April. Thank you so much for helping me― It doesn t look too heavy, but I ll probably need some help pushing it. April examines crate We can reach the window now. April examines crate after pushing it MISSING TEXT ZOË EXAMINES CRATE XXX_Zoë examines crate MISSING TEXT EXAMINE CRATE AFTER IT HAS BEEN PUSHED XXX_Zoë examines crate after it has been pushed Use rope There s a big metal hook on the wall. Examine hook The rope s securely fastened to the hook. It ought to be possible to climb out the window now. Examine hook with rope Climb out window It s a rope. Examine bundle of rope Those gates are pretty solid. No one gets in or out of here unless the warden says so. MISSING TEXT ZOË EXAMINES INSIDE GATES XXX_Zoë examines inside gates The cell door is locked. There s a hatch, but it only opens from the outside. Examine celldoor What do you mean, you re not getting involved? You are involved, April, whether you like it or not! April, what the heck is the matter with you? Open locker door Someone forgot to close their locker. Examine locker door Pick up suit Examine suit There s a uniform in here. It probably belongs to a maintenance worker or a cleaner. Examine wait suit This looks very complicated. Examine elevator panel It s not responding. I think I have to use Liv s software. Again. Use unhacked Examine bot It s a cleaning bot. I m guessing it patrols a limited area. MISSING TEXT TRYING TO PROGRAM BOT WITHOUT PUTTING ON WATI SUIT. XXX_Use without suit on MISSING TEXT PROGRAMMING BOT XXX_Use with suit on Examine Na ane Talk to Na ane A magical who lives out of the ghetto... She must be involved with the terrorists. Do not make a move, witch. I m sort of...preoccupied at the moment. Examine when sneaking Nothing here. Reza wouldn t keep any of his work on this console. Use computer I ll need to find a way to get onto the scaffolding without being spotted. He s dead. I should get on with it before someone finds his body. PLACEHOLDER GUARD IS KNOCKED OUT AND FALLS SILENTLY TO THE GROUND. Guard knocked out I should be able to climb all the way up to the bridge between the tower and the new barracks. Examine ladder, Guard knocked out Halt, citizen. This area s closed. Please leave immediately. PLACEHOLDER Poor me! I am done for! 4 years of hard labor awaits me now... Game over! Good God. Roper Klacks? PLACEHOLDER REVEAL OF TOWER CINEMATIC. What in the name of the Six is going on? PLACEHOLDER THE GUARDS TURN ZOË AWAY. The guards are a bit more vigilant at night. I should stay away from them. Examine guard Commander Vamon. It s just around the corner. Whew! You re a fast walker. Hey, you. MISSING TEXT SHOULD BE POSSIBLE TO CLIMB ONTO THE ROOF OF THE CAR XXX_Examine climb car spot If I can just find something to stand on, I might be able to climb up there. Examine climb to ledge spot Examine key pad MISSING TEXT EXAMINE KEY PAD That gate leads into the factory yard. The fence looks brand new, and the gate s locked tight and likely guarded by all sorts of clever hardware. It goes all the way up to the roof. Examine ladder Climb inside Skylights. That one looks broken. XXX_Examine broken window far It s too grimy to see through. Examine window near There are wide girders spanning the factory hall just below the window. Examine broken window near I don t think I can kick this one in. Examine grate There s a grate in the floor over there. It looks like a ventilation shaft of some sort. I can feel a draft. Examine door to lab area That door looks different from the rest of the interior. This was definitely put up quite recently. It looks brand new. Examine crane control panel Crane down It s a control panel. Examine far on This console controls the winch - up and down. Examine near on Crawl through grate It s completely dark down there, but I can feel a draft. It definitely leads somewhere. Examine grate removed Examine drawer Open drawer That drawer is unlocked. It s a small key. Small key Examine filing cabinet Unlock and open filing cabinet This door leads out to the factory floor...but it s closed, and there s no handle. Examine from lab side That s a datacube. Pick up access key It s an access card. Access card Unlock and open That panel controls the loading bay doors. Examine loading dock panel PLACEHOLDER APRIL LISTENING TO SAYHA AND HOODED MAN. CINEMATIC PLACEHOLDER ―the delays are out of my hands, Prophet. Of course. I understand perfectly. We will finish on time. We have taken on more workers, and we are making progress by the day. We will reclaim the time lost, Prophet. The tower will stand ready for the inauguration. I swear by the Six that I shall not disappoint you. May the Goddess bless your path, Prophet. Excuses Inside Tower PLACEHOLDER Grubbers detect, attack and defeat April That thing looks like a bigger and much meaner version of those creatures down in the dungeon. It s huge. I don t think I could take that thing down. Hey, help me push this thing over to that wall. Push Examine padlock It s locked. The jailer probably has the key. There must be another room back there. Examine after trying to open The ghetto s closed. Okay. Shit. Reaction to reveal Friar s Keep... Just looking at it gives me the creeps. Cells PLACEHOLDER Taheran soldiers harrass the nobel, innocent farmer. Damn facists! Climb down If I close the door, the spider will probably wake up. Bad idea This is it, Apostle. The Empire s greatest achievement east of Sadir. A monument to our might and to our faith. I should not keep the Emissary waiting. Mistress PLACEHOLDER FIGHT, WIN, GO TO MARCURIA, DONE Zhid Examine Fringe front door It s a buzzer. Examine chapter 0-4.99 I m not going back there. Examine chapter 5.00 Use spices Poof Dadee That must be Crazy Clara s pet! It s really cute. Hey, you can t go in there! The tunnel just vanished! If I didn t know better, I d say it was...magic. Blind Bob wants mulled wine, not just hot wine. I need to add the spices before filling the bottle. Use bottle without adding spices Kick KICK It s locked. What the hell is this place? I must be dreaming. Everything down here looks ancient. Who stores food like this? That machine looks all new and shiny compared to the rest of the stuff down here. The...the opening is completely gone. What the hell is going on here? So I guess I m in a place where they make their own wine. That window looks into the Journeyman s garden. MISSING CINEMATIC - Glimpse of Hooded man Inn Cellar Night Examine Elgwan Examine Beleris The prices here are too steep. We do most of our business in Oldtown. The fish merchant. I m not looking to buy anything from her. She s a merchant. Talk to Nana Nya It is strange to see these magicals walking freely about, as though they were human. He s handsome. Blue suits him well...and me, too. Many Dolmari have fled east to the Irhad. Some say they re building an army. I hope that s true. He is prideful...but without good reason. What is there to be proud of when you are a magical? I think I ve seen him before. What s he doing here? You don t see a lot of humans in the ghetto these days. I wonder if he s an Azadi spy... What s a human doing here in the ghetto? Maybe he s a rebel sympathiser. He s guarding the gate. There are soldiers everywhere. The Azadi think that will protect them against the terrorist threat . They re mistaken. I like her colour a lot. The Dolmari have had it especially tough after the Azadi came, seeing how integrated they were in Marcurian society. If I didn t know better, I would think she was a blue human. But she s less than that. She is a magical. He s Zhid. There are fewer and fewer of them around these days. Most have left the city and gone east. Brian Westhouse, looking younger and healthier than he did ten years ago. There are guards everywhere, I swear to God. The Azadi are paranoid. And with good reason. These young men serve their Mistresses well. She s a funny old girl. She appears to be a woman of high standing. She is certainly aggressive. There used to be thousands of Dolmari in Marcuria. Nowadays, you ll only find them in Oldtown, and there are few left. Okay, so she s blue. There s nothing wrong with that. Not at all. Her skin is blue, but otherwise... Otherwise she looks like a woman. Daen has escorted me here to the tower, and he has also shown me some of this strange city. Jiva Reza s Apartment Marco Polo Journeyman Inn Morning Burrow Crook Morning South Gate Market Morning Journeyman Inn Night Magic Docks Crab Bend Journeyman Inn Day Venice Crossroads Tower Square Night You don t see a lot of Zhid in Marcuria these days. She has catlike features. It s really beautiful. She...this thing, she is obviously female. A woman. Her features may not be human, but she is...attractive. Friar s Keep Reclaim brain Listen in Azadi Guard My Wizardin Days Are Over Push crate He s out cold. Talk examine Alchera Morpheus Destiny Convergence All that we see or seem... Crossroads Faith Reversal The Longest Journey Dreamfall This world and the people here look like a mix between a fairy tale, a fantasy role-playing game, and Charles Dickens London. Examine second Nice clothes. Too bad I could never wear anything like that at home...except at a fancy dress party. Examine car wreck It s an active data panel. I d need a suitable card or datacube to use it. That thing looks absolutely lethal. It s about to fall. All it needs is a little...encouragement. Examine Use access card Looks like a data panel connected to the gate. Russia Rooftop Examine fuse box Looks like a power switch. This is definitely where the power to this place is routed through. Examine near closed There s a big power switch in here. Examine near open MISSING TEXT Examine fixed fuse box. Examine fuse box fixed Open lid I ought to be able to get up there...somehow. This probably controls the gate, but it doesn t appear to be active. No. This is where the signal originated. If I go back now, I ll never find out what s going on...or what s happened to Reza. Benrime s burned all the forbidden books, and she s bought a bunch of Azadi approved ones. No one reads those. Benrime. She s the one thing in my life that hasn t changed in the past decade. Benrime s taking a great risk in helping the rebel movement. Benrime had to install these Azadi beer taps to avoid unwanted attention. She needs to stay on friendly terms with the enemy. We have to travel light, and we have to stay packed...just in case. I wish I could just sit down, gaze into the fire, and forget everything. (Sighs) But I can t. Na ane joined my outfit only a few months ago, but she s proven to be a valuable asset. Her magic is very powerful. If there s one thing we have enough of, it s weaponry. What we need more of is food, warm clothes, and medicine. Brynn s showing a lot of promise, but he needs to cool down a bit, or he ll get hurt...or killed. Apples. Maybe we should bring a couple of barrels back to the swamplands. I think people would appreciate that. Examine view Talking to Zoë Examine barrel Hello, is Charlie there please? My name s Zoë. I m a friend of Reza. I m looking for him. I think he might have been here. I don t know anybody named Reza. Sorry. Goodb― Wait! He s a reporter, goes by the name Jericho . All right. Come on in. Right. Actually, I think I left it upstairs. Oh. Right. No, I was just, you know, checking out the weather. Looks nice. I ll go put on some clothes now. Oops. Yeah. I should hurry. Reza and me...back when we were a happy couple. Hey, are you done? I just got out. I m on my way. Coolness. I have an appointment later this afternoon, so I just wanted to make sure you remembered. I ll be there in a few minutes. See ya! Liv, my best friend in the whole wide world. Looks like she s eating lunch. Examine Olivia again The Sky s tracking a live one on the premises. Proceed with caution. Sir! We ve got a body! That s the woman we re looking for. Rio Kuroki. Sir, we ve got a lock. In there. Go. Reza s notepad... Locked and encrypted. Of course. Um. Hi. It s me. Your...your mobile s probably been switched off for, uh, for obvious reasons, but if you do get this message... Reza... Please, please come home. I m sure things can be sorted out if you just come home. I m really worried. Call me, okay? Come on, Dad. Please pick up, please pick― Hello, Zoë― ―I m sorry, but I m currently away from my phone. Leave me a message, and I ll call you back as soon as I can. Shit. Zoë Castillo, 449... 44929-dash-601421. Address and occupation. Jardin des Roses 42A, Casablanca, CA 1011. I m, uh, unemployed. You are being held under the Syndicate Anti-Corporate Activities statute in connection with murder and possession of contraband software. You guys shot me. Isn t that a violation of my rights as a citizen? As of this moment, Ms Castillo, you have no rights. What were you doing in Mr Temiz s apartment? So where did you get the datacube? What datacube? I will remind you that your freedom is in the balance, Ms Castillo. We have enough to convict you on several accounts. You could be facing up to thirty years in a corporate prison. Or you could choose to cooperate. I m cooperating here! I honestly don t know anything about a datacube. Where did you pick up this package? Helena...Helena something. I can t...Chang! Helena Chang. Look, I was doing Reza a favour. He told me to pick it up and bring it over to his place. That s all. This Helena person, she had something that s connected to a story Reza s working on. He didn t tell me. He never tells me. It really was just a favour for a good friend. Cooperate I shouldn t play with fire I want a lawyer. Counteract I m just going to lawyer up Name and CID number. Now. I was scanned when I was brought in. You know who I am. What were you doing in Mr Temiz s apartment? Reza - Temiz - asked me to do a favour for him this afternoon. He s a good friend of mine. Best to be up front about it I would strongly suggest that you cooperate in every way possible, or face the consequences. I just came by to say hello, and noticed that the door was open. I walked in, saw the body - next thing I know, the cops boom me. I m not giving them anything I went to pick up a package downtown, and I was just dropping it off, when... Well. You know. A datacube was found in your possession containing highly sensitive information. Are you sure it s wise to keep denying your involvement? I don t... Look, I was carrying a package. Someone gave it to me. I was supposed to deliver it to Reza - but he didn t know about it. Company called Jiva. They re located in the Seshadri building downtown. I can t remember the floor. And who did you meet at Jiva? Who was the package from? A woman who works at a company downtown. Jiva. Her name was...Chang, I think. Helena Chang. How did Chang get in touch with you? I don t understand what― If your friend Mr Temiz knew nothing about this, how did Chang contact you. Look... Okay, so I was helping Reza out. He asked me to pick up the package for him. But he didn t know what was in it! He never saw it. Whatever was inside, the only person responsible is Helena Chang. You should be interrogating her. All Reza did was talk to the woman. He s working on a story, and she s a source. Please, you have to believe me. I don t know what s going on. I was just in the wrong place at the wrong time. I need to make him understand that I had nothing to do with this I m sure there s a good explanation for everything. Reza wouldn t ever harm anyone. I m sure he ll understand if I just reason with him What kind of story? I don t know. He didn t tell me. Yes, you were. We know that you had nothing to do with the murder, but that does not clear you from the charges. You are to remain in Casablanca for the time being. If Mr Temiz attempts to contact you, you are to call us immediately. If Mr Temiz attempts to contact you, Ms Castillo, you will call us immediately, and you are not to leave Casablanca without our permission. Now, tell us again, from the top. What did Mr Temiz ask you to do for him? Hi, it s Zoë Castillo again. May I come in? Subsequent visits That s right. Has he been here? How do you know Jericho? We go way back. If you re such good friends, why do you need to track him down? Can t you just call him?
https://w.atwiki.jp/touhoukashi/pages/6107.html
【登録タグ BloodDark/KARMANATIONS M Stack 恋色マスタースパーク 暁Records 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*